The Stenberg Palace sculpture garden

Seated Woman-1933- Vincenc Makovský 

The last Museum Night did not bring any new discoveries on the part of new museums or art. All I wanted to do  was see a bit of what I already know and  I wanted to get away from the overenthusiastic crowds which once a year decide they have to catch up on all the art they have missed. I headed for the castle with the hope that few would make it there and went to the Sternberg Palace .Most people know this palace, tucked away in a small alley behind the Archbishop's Palace for its collection of old master paintings which are a part of the National Gallery. My real getaway was the garden or to be precise the sculpture garden which is not known to many.

The entrance

The garden of the Stenberg Palace is accessed through a little door at the end of a dimly lit corridor right opposite the bathrooms, not exactly a grand entrance to a comprehensive selection of 20^th century Czech sculpture. Furthermore the garden is disproportionately small to the size of the palace.It offers an intimate place to relax while being surrounded by sculptures. The pieces read as a textbook of influences on Czech art in the last century.

                The palace was originally finished in 1697 for Vaclav Vojtech Count of Sternberg, the family eventually sold it and in 1871 the building became an art gallery. Not much is known about the history of the garden.

Tragedy- 1937- Karel Dvořák

                Once through the small door visitors are confronted with Jakub Obrovský‘s epic Slaying Odysseus most probably from the early 1930’s as he was awarded a bronze medal for the sculpture at the 1932 Los Angeles Olympic games.  Obrovský is an important persona in Czech art for he was the Don  of the Academy of  Fine Arts  in Prague in the 1930’s.Much of his work is  based on  ancient Greek and Italian renaissance sculpture with an emphasis on the human body  in movement .These influences  might come from his student years when he won  a scholarship to  Italy  and Greece .

Slaying Odysseus -Jakub Obrovský

While in Italy he met fellow Czech artist Jan Štursa whose female act Woman with a Dolphin finished in 1913 stands a few metres away. Both statues share a few common traits: nudity, the human body in motion, their monumental size and inspiration taken from Italy. This almost carnal statue was created at a time when the artist primarily depicted the mature female nude. It coincided with Antoine Bourdelle's exhibition in Prague which also impacted Štursa’ s work.

Woman with a Dolphin-1913-Jan Štursa

Jan Štursa can be regarded as one of the founders of modern Czech sculpture.Although trained under an older generation whose main focus was the national revival he chose to go a completely different way at the beginning of the 20^th century. Woman with a dolphin shows hints of cubism which after Picasso’s 1907 Les Demoiselles d'Avignon set new artistic ground.

                Czech art was only partially influenced by cubism with architecture being the main medium for the expression of cubist principles in the newly created country. The only recognizable cubist sculpture in the garden is from a much later period, it is the Sitter by Zdeněk Palcr from 1959. Palcr was quite prolific although he could never decide on finishing a piece and in the 1950’s he drew inspiration from the work of Otto Gutfreund, the main cubist sculpture in interwar Czechoslovakia.

The Sitter-1959-Zdeněk Palcr

The central part of the garden is given pride of place to Jan Lauda’s 1957 Stork placed in its own pool. Lauda was one Jan Štursa’s pupils whose work features many animal motives.

Stork-1957-Jan Lauda

These are just a few of the statues in the garden which is also an ideal place for a nice picnic on the lawn or on the numerous seating areas around. Entrance into the garden is also free, therefore a great place to go with friends or kids while visiting the castle.

The 13th Prague Quadrennial

 

http://www.prague.eu/en/event/1627/prague-quadrennial-2015

 The entire art world has the Venice Biennale and Prague has the Prague Quadrennial. Arguably, the most important event on the Czech art calendar .With more than 60 countries showing and 111 installations it is critical for both local artists and foreign artists showing in the Czech Republic. This time the main themes are music, politics and weather. These were very much reflected in the opening ceremony which took place on the Old Town Square. Unlike similar events there was very little in the way of black-tie pompousness as all those invited gathered in the blazing sun by the Jan Hus statue.

Pavla Petrová and Mr. Herman  

After some waiting they were greeted by a few open trucks loaded with brass band musicians, traditional folk singers and the Czech minister of culture Mr. Daniel Herman and Pavla Petrová the event’s director.  Both gave opening speeches. It was a sight slightly reminiscent of a mass communist rally of the 50’s.The political joke was not lost on anyone.

Shared [Private] Space
Snezana Pesic

Part of the Canadian installation

David Fraser and Patrick du Wors from the Canadian pavilion

                The crowd gradually dispersed into the different venues where the event is being held. As expected the Kafka house was too packed to get in since it is right of the square so we made our way to Clam-Gallas palace. There after another opening speech and lots of confusion the exposition was finally opened to visitors. The same situation was down the street at the DAMU studios.

Please Please  Me-Signe Becker –Norway

 The grand baroque Clam-Gallas palace is host to art from Greece, Iceland, Cyprus Switzerland, Quebec, Canada, Venezuela, , Ireland, Georgia, Norway and the UK. I particularly liked the installation on the stairs and then the Canadian pavilion which has been placed into the former ballroom and comprises of a series of outhouses each with its own little world. Many of the installations are multimedia works which is somewhat fitting to the events origins. A pleasant surprise was the sumptuous yellow reading/room library on the top floor with period features where visitors can go through art book related to the quadrennial.

The reading room

 The Prague Quadrennial  of Performance Design and Space goes back to 1967 and is the  result of internationally well received Czechoslovak art in the late 50’s and  60’s.At the time multimedia art was in its infancy and Czechoslovakia with its creation of such things as the Laterna Magica was at the forefront of this new movement.

Cyprus

This 13^th quadrennial can be experienced all over the city apart from 14 primary locations. It is therefore advisable to look at the website in advance and plan an itinerary or follow one of the recommended routes. Tickets are not necessary for all exhibits such as the Swiss installation on Wenceslas square or the piazzetta or the national theatre. There are also numerous performance and public interaction events that can be seen in different parts of the city.

Please Please  Me-Signe Becker –Norway

At the end of the evening all the artistic commotion made much more sense with a glass of wine in the open air courtyard café of the Clam-Gallas palace.